NEW MUSIC FROM MANCHESTER’S INCA BABIES

Manchester’s Inca Babies release ‘Crawling Garage Gasoline’, previewing first album in 7 years. ‘Swamp Street Soul’ LP is out November 23.

Post-punk swamp-goth rockers Inca Babies have released their new single ‘Crawling Garage Gasoline’, the title itself reflecting the imaginative gritty sound that the Manchester-based deathrock / postpunk outfit have become known for in the decades since forming in 1983. This single comes with b-side ‘Grunt Cadillac Hotel’. The accompanying film was produced by Harry Stafford at NoiseBoy Studios in Salford.

Back clutching an array of new tunes, drawn from their fantastic imagination, the Incas are gearing up to release their eighth studio album ‘Swamp Street Soul’, having previewed lead track ‘Walk In The Park’ with a strutting blues beat, infectious guitar lick and bluesy post-punk musings.

Produced by Simon ‘Ding’ Archer(The Fall, PJ Harvey) at 6Db Studios, the clarity and fullness of sound on this 11-track offering surpasses that of any previous Inca release.

“This ‘Crawling Garage Gasoline’ is a revisiting of a 1980s Inca’s classic, all bluster and ‘pedal to the metal’ speed punk. It’s a tale of the descent into the maelstrom but don’t forget to get some gas along the way. The urge to re-record this came from its popularity as a live song at recent Inca gigs, now paired down and with more bite, it has certainly stood the test of time. It was originally released on the ‘Surfin’ in Locustland’ EP back in 1985 and was also recorded for the Incas’ third John Peel session in June that year,” says Harry Stafford.

Swamp Street Soul’ takes us across a tightly euphoric path of differing moods and new arenas of guitar songwriting. This long-player continues the band’s explosive exploration of goth-punk and death-rock and trash blues with epic cautionary ballads. Frontman Harry Stafford has written a fulsome collection of tall tales of madness, fearfully larger-than-life characters and extravagant yarns, backed by a no-nonsense rhythm section locked into a pounding backbeat.

A vibrant part of Britain’s early postpunk / death rock scene, Inca Babies’ story began in 1983 in the now-legendary deck-access flats of Hulme (Manchester), which were intended as ‘cities in the sky’ for young executives but quickly became cockroach-infested slums mostly inhabited by students, artists, and drug addicts. True to DIY ethos, they self-released their debut single ‘Interior’ in 1984.