The first time The Big Moon cast its moon-shadow on my musical musings was ‘1BC’ – one year before Covid. The four-piece band were playing support to The Pixies at Glasgow’s O2 Academy.
As a music photographer, it’s important to give coverage and exposure to all bands playing, not just the headline act. It’s exciting to be introduced to bands that may not be on your radar. In the instance of that particular gig, I was made into a fan, in live terms as their brand of soft indie music with moments of impact-Grunge, resonated with me and I began to listen to more of them on streaming platforms.
I believe this is their first show in Glasgow since playing the O2 with Frank Black and Co. and the venue is the laid- back Oran Mor, situated in the heart of Glasgow’s west end on the apex of Byers Road and Great Western Road. This venue is known for its high calibre of fresh acts. The venue itself is a beautiful reconfigured church that dates from the 1860s; making it as quirky as it is elegant. The venue sports an impressive lighting rig, however, tonight this seemed to be retired as the lighting was very minimalistic and subdued, making the bands difficult to see, especially for the back of the venue. The opening act were Gently Tender who were lit marginally better than The Big Moon.
This was the first time I had seen Gently Tender play live. Their brand of soft, melodic, indie rock was kind on the ears and put a spring in the tapety-tap of the punter’s feet. The lead singer’s vocals were pitch-perfect and really blended well as part of the harmonies with the keyboard player and other instrument brandishing backing singers. The band were well rehearsed and looked at ease on stage. Their last song reminded me of a soft lounge version of Dead Kennedy’s Forest Fire. I don’t know if this was intentional or coincidental, but it sounded rather good.
As I waited to enter the pit to start taking photos, a tall gentleman asked me if I could keep his space while he went to the bar to refresh his drink. He explained that due to his stature he’d picked out a spot which would not obstruct the view of other patrons and that he did not wish to lose it. I could see his conundrum and agreed that I’d stand sentry. I can’t remember anyone at any other show, and I’ve been to thousands, being so thoughtful and considerate; I guess that’s part of a newer age of music fans who maybe more caring than previous generations. The crowd was young, mostly 20s and 30s with a few sporadic older punters in their late 40s and 50s. It was clear The Big Moon had a wide appeal and attracted a variety of people for tonight’s performance.
The Big Moon came out on stage and after my eyes adjusted to the light, the band allude to ‘missing’ pieces of equipment. I assume that in their recent travels, items have gone askew, as has sadly happened to lots of bands recently! After some general welcome banter, front women Julliette Jackson took the lead and the band kicked in with their first number of the evening ‘It’s Easy Then’. The sound was crisp, clear and well balanced. The audio was on point and well mixed. The Big Moon sound every bit as good live as they do pre-recorded. The band went on and played through their set with conviction and with an expertise that comes built on their skillset and camaraderie. The effortless performance was captivating and exciting. The audience were drawn in and were singing along in unison with Jackson throughout.
Although a sell-out show, The Big Moon was the best kept secret in Glasgow on that night! Those there will have felt privileged to witness such a marvellous performance from such a captivating band. If the Oran Mor would hold 500 more people, I’m sure it would have still been a sell out!
Check out both bands on their socials and get along and see some great music live!
Words and pictures: Stevie Oi!